UNDERNEATH is a
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
在父(fù )亲去(🚍)世后，亚(👹)伦回到(dào )家(jiā )中帮助(😤)他悲痛欲(📫)(yù )绝(jué )的(de )母(🚺)亲，并直(🈲)面他(tā )的(de )过去(🌄)，而在处(😼)理后(hòu )事(💫)的(🛹)过程中，他(😯)发现(xiàn )了一个神秘的(🏿)骨灰龛(🐸)(kān )，而这背后还隐藏(cá(🐲)ng )着(zhe )更(gèng )加(🚎)可怕的东西(👯)(xī ).....
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
讲(jiǎ(🌫)ng )述一名退休的杀手，无(🍂)奈之下只(📌)能(🕔)重操旧(jiù(🔘) )业，用上以往的杀(shā )戮(✈)(lù )技(jì(📍) )能，跟曾经的(⛵)雇(gù )主(zhǔ(🐄) )大战一场...
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
盘古(gǔ )开(🚙)(kāi )天辟(✊)地之时在昆仑山(shān )丢(🍅)下一颗种(👎)子，这颗(kē )种(🐛)(zhǒng )子吸(🤱)收天地之精(jī(🔯)ng )华(huá )结(😼)(jié )出一颗(🔻)神(🦅)果。传(chuán )说(👅)(shuō )得到神果就拥有盘(🏴)(pán )古之(👳)力，顿时三界之(zhī )内的(⚾)神魔都来(♌)争夺，可(kě )惜(💵)神果让(😩)一头法(fǎ )力(lì )无(wú )边(🃏)的神兽看(🍭)管(🤒)(guǎn )着(zhe )…
马(🔜)云是马姓裴满氏(shì )家(🎤)族的最(🎃)后一代贵(👴)族(📞)(zú )，因其第(📃)十三房姨(yí )太(tài )所(suǒ(🙉) )生之子(🐿)［马十三(sān )］天生力(🛍)大无穷，生(🏚)(shēng )惹是非，被(💵)马云忍(⏫)痛(tòng )送往武馆(🔱)“无双馆(📅)”学(xué )习攻(🌭)守(🛍)之道。
ユミ(🌬)は夫と娘の３人暮(mù(📢) )らし。近(🏥)々引っ越しを考えて(💯)いる。ユミ(🤱)は娘のレイ(🏮)ナが時(🏼)折(shé )うわ言を発する(🈲)ことが、(👢)少々気にか(🌠)かっていた。転居の報(🍱)(bào )告も(📱)兼ねて友(🌶)人(🥀)ヒロミと(🕖)久々に再会するユミ(🔍)。話題は(👢)いつしか「あの日」(🎉)のことに(🕵)。「私たちが(⛺)埋(mái )め(🔯)た時、本当に(🥇)死んで(🍃)たのかな(💶)？(🐝)」。ユミは(🐩)「あの日」のことを(⚪)清算す(🤸)べく、サエ、アコに(🔯)も再会(huì )を決意し、(💒)廃墟の(💣)ような家に一人で住(🏚)(zhù )むサエ(📋)に会いに行(🕳)く。サエは、見知らぬ(🕣)少女が(😑)現れて娘(🏾)だ(🔺)と言って(🐮)聞かず、しばらく一(🧠)緒に暮(🐤)らしていたが死んだ(🈴)こと、そ(🤼)して少女は(⛩)死んだ(🤾)ままその家の３階(jiē(🐻) )に寝かさ(🍬)れ(🗜)ていると(💣)いうことを話し出(chū(💋) )す。(C)「黄(🛅)泉がえる少(shǎo )女」製(☝)作委員会
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