人據(🏒)(jù )說一&#
人據(🏒)(jù )說一生最多(duō(😽) )有十萬條頭(🎃)(tóu )髮，每一條(tiáo )頭(💝)髮質(🏘)感長(zhǎng )度有異，但(🐳)(dàn )都承載著(👩)煩(fán )惱的(😏)回憶。「(🍤)時(shí(😐) )光理髮」剪(jiǎn )掉(😈)的不只是(shì )頭髮，還有(🏳)(yǒu )街坊(👥)不快(🌿)的(de )記憶。行將(jiāng )式(🆗)微的(🤠)舊式(shì )廣東理髮(🥡)店(diàn )店主海(🗃)泉叔(shū )指望兒子(⏳)長(zhǎ(🍮)ng )發繼承衣缽(bō )，不(🕙)過兒子(zǐ )卻更想當文(⛷)(wén )青，希(🗨)望透(🏈)(tòu )過文字和音(yī(🧡)n )樂改(🦕)變世界(jiè )。一次意(⏬)外(wài )，長發被(😠)迫代(dài )父親落場(📬)當(dā(🌨)ng )師傅，透過(guò )理髮(🎙)為街坊(fāng )排(🏕)憂解難，更(💍)與離家(🐼)出(chū(🛅) )走少女相遇(yù )相(📌)(xiàng )知，重新(xīn )反思(sī )自(🧤)己的前(🎧)路(lù(🛣) )。傳統理髮(fà )店交(🧗)織舊(🔕)區(qū )鄰里人情，《點(👫)五步》男角岑(👪)珈其(qí )化身理髮(🧓)店(dià(🎒)n )傳人，演出(chū )清新(🍳)自然。
星宇公司遭(zāo )遇(👉)盗宝集(🚫)团(tuá(😳)n )突袭，立夏(xià )受伤(🌁)，丢失(🏈)(shī )了云南赤家(jiā(😱) )兄弟的瓷瓶(🏰)(píng )。林欢馨联合考(🥊)古学(🗜)家高(gāo )震云设下(🍫)计(jì )谋寻回(🛠)了瓷(cí )瓶(📺)。不料盗(🐶)(dào )宝(🧡)集团跟踪(zōng )至云(🔡)南该瓷(cí )瓶出土处，将(🥧)众人擒(🙁)拿(ná(🌘) )欲挖(wā )掘古墓。林(👫)(lín )克(🤜)服恐高症(zhèng )独自(💓)逃出，并联合(🐻)赤家(jiā )寨村。
大学(🧓)(xué )毕(♊)业没工作(zuò )的晓(🖊)丽，跟(gēn )父亲生活在(zà(⏪)i )一起，整(📋)天(tiā(🍉)n )闲在家里玩(wán )游(✊)戏看(😵)漫画(huà )，四体不勤(🐑)(qín )，非常懒散(😻)(sàn )。根据秋冬(dōng )春(🍗)夏四(🐺)季变(biàn )换的自然(🍓)规律，影片讲述(shù )了晓(⏭)丽是如(📯)(rú )何(💬)一步步走(zǒu )出家(🚾)门勇敢(gǎn )走向社会的(🍺)(de )......
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
年轻的(🛴)直播(🏆)(bō )女孩，天使(shǐ )ol原(🤨)本过(🚙)着简(jiǎn )单地(dì )生(🥏)活，但是(shì )这(📉)所有的平(píng )静都(🚭)被一(✂)个(gè )叫做“守护(hù(💸) )天使的骑士(shì )”的男孩(🕚)所(suǒ )打(🎅)破，他(🔟)的(de )出现成为了(le )阴(🚧)谋者(🆗)利用(yòng )的工具，同(🏓)(tóng )样在直播(🌇)平(píng )台风生水起(🔂)(qǐ )的(😝)“猪妹”利用了这次(😌)(cì )千载难分的(de )机会，想(🎏)尽一切(😽)办法(♓)想搞(gǎo )垮天使ol，这(🈺)(zhè )一切都在一(yī )个道(📱)貌岸然(🏷)(rán )的(🛎)心理医生(shēng )暗中(👭)操作(🌝)中(zhōng )进行，一切(qiē(💕) )本来都是按(🤤)(àn )照两(liǎng )个阴谋(🔻)者计(🍶)(jì )划的进行(🏊)着(zhe )，可(🍸)是结果(guǒ )却出乎了他(🥕)(tā )们的(🕰)意料(🌖)，天使ol被跟踪(zōng )并(🥩)受到(💹)威胁(xié )，猪妹也遇(🏚)(yù )袭受害，一(💆)(yī )切都已经失(shī(😊) )控，最(🕋)后的(de )受益者会是(💡)(shì )谁，是医生(shēng )还是各(📂)怀鬼(guǐ(🚒) )胎的(🐓)当事人(rén )。
When a near-decade old murder case involving a movie star threatens to reopen, adult child Duke Moody decides to make a true crime documentary, financed by his mother.
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’(👄)s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
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