《人尽皆(😒)(jiē )知(🚁)》讲(jiǎng )述了定居在阿根(💯)廷(tí(👏)ng )的(de )西班牙(🏌)裔女(📉)子劳拉(lā )和(hé )她的丈(💩)夫及(🦃)孩子回(huí )到西班牙小(🌱)镇参(🎲)加姐(jiě )姐(🏏)的婚(🎳)(hūn )礼，然而孩子(zǐ )却莫(🌞)名(mí(🌎)ng )失踪，这一突发事(shì )件(👊)(jiàn )使(📳)得原本和(⛺)谐的家(jiā )庭(tíng )开(👜)始互相猜(🆚)疑，尘(🌶)(chén )封许久(jiǔ )的秘密逐(😔)渐浮(🗄)(fú )出水面(miàn )……
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...
在一家救(😃)济院(yuàn )，病(👯)人被(❣)拍恐怖片进(jìn )行(háng )精(📙)神病(☝)研究，他们(men )都疯了。这些(🚭)电影(🥝)被(bèi )曝光(👀)了(le )，其(👮)中五成画面是(shì )七(qī(📣) )八十(🕸)年代OOXX的场景，给(gěi )你不(🌯)一样(📲)的观影体(🦏)(tǐ )验(🆖)……
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
2012年的叙利亚迎(yí(⛎)ng )来了(🥍)史(shǐ )上最严酷寒冬(dō(🚩)ng )，桑(sā(🚚)ng )娜(nà )只希(🎛)望找个煤气罐(guà(👕)n )为(wéi )儿子(💙)做一(🚍)顿晚餐。她(tā )为了搜寻(⤴)煤气(🚂)罐请(qǐng )了一天(tiān )假，突然发(🏩)现(xiàn )自己(🎢)陷(xià(🎠)n )入了战乱区；她发(fā(☔) )现(xià(🆘)n )，战争中的人们都(dōu )没(🥫)(méi )有(⌛)了影子。本(♓)片获(😳)(huò )第75届威尼斯电影节(👥)银(yí(🍾)n )狮奖。
阿軒意外穿越回(🎖)到(dà(🙂)o )了(le )5年前仍(🏴)在讀大學的(de )時(shí )期，正是他(🏂)與女(🕙)友(yǒu ) Joyce第一次邂逅的日(🆚)子。阿(🧛)軒認(rèn )為(🍃)這是上天給(gěi )他(🦏)的(de )一(yī )次(📭)機會(✊)， 讓他阻止(zhǐ )父(fù )親因(🛍)沉迷(🤡)賭博而鑄(zhù )成(chéng )大錯、並(👪)救回5年後(🎙)(hòu )意(🗣)外受(shòu )傷昏迷的 Joyce，從(có(❤)ng )而改(😿)變(biàn )自己的命運。然而(🏊)(ér )，命(🧒)運真的可(🧢)以改(😞)變(biàn )嗎(ma )？一切又是否(🏷)可以(📃)(yǐ )如他所願？
都说男(😂)人(ré(🐹)n )一有钱(qiá(📽)n )就变坏，女人一变(biàn )坏(huài )就(🏛)有钱(🐇)，这句话用(yòng )在(zài )张宝(🚉)文和(🔶)他的秘书(🏟)(shū )身上绝对合适(🍻)。张宝(bǎo )文(🐬)原本(🎓)(běn )有一个非常好(hǎo )的(🥣)前(qiá(🛣)n )程(chéng )和家庭，但是他却(🌰)(què )不(💇)(bú )珍惜，与(💉)自己(👌)的秘(mì )书(shū )走到了一(🥣)起。这(🤧)一(yī )段办公(gōng )室的恋(🔬)情导(🔎)致(zhì )了张(🌐)宝(bǎ(🐖)o )文在事业上和家庭(tí(🤜)ng )上(shà(🏝)ng )彻底破碎。秘书的(de )贪(tā(🎛)n )婪最(🛐)终落到过(🐖)街老(lǎo )鼠人人喊打的地步(🌇)。当张(⏹)宝(bǎo )文重新回归家庭(🐒)的(de )时(📥)(shí )候，一个(🐍)熟悉的面(miàn )孔(kǒ(💓)ng )站在了门(🌑)口挡(🤾)住了(le )他的视线。
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
