老豆

★ 港版《丹麦女孩》 勇(🍸)敢用(yòng )爱(⛪)为自己(👮)发(fā )声！

张(🗂)(zhāng )岩大学四年(niá(📻)n )一直暗恋班主任麦(📡)(mài )玲晨。毕(🚧)业(yè )之(👹)际向(xiàng )麦(🍁)玲晨表白(bái )，没想(🆙)到麦(mài )玲晨已(yǐ )有(🍯)男友，将(jiā(🐵)ng )要结婚(💯)。张岩十分(🛏)(fèn )难过，却在(zài )海(㊙)滩遇(yù )见了一个奇(💰)(qí )怪老人(🏞)，给(gěi )了(🔕)他一(yī )个(⬆)怀表，没(méi )想到这(🐺)怀(🚐)表竟不是(🌦)(shì )一个(👨)简单的(de )怀(⌛)表，而是可以让(rà(🤶)ng )张岩回到过去的时(♈)(shí )光表。一(🦑)天(tiān )，张(🏵)岩得知麦(🈳)玲晨(chén )和他男友(👛)因(yīn )四年前(qián )的抢(😵)劫认识(shí(🚷) )，于是他(📓)启动时光(🏬)(guāng )表回到过去(qù(♍) )，三番(fān )四次与玲晨(🦒)(chén )巧遇解(🔦)救，最后(⏳)终(zhōng )于解(🈹)救麦玲(líng )晨并且(🕯)和她相爱，二人开始(🍲)了(le )大学四(✍)(sì )年的(📯)双宿双(shuā(🍖)ng )飞。不巧麦(mài )玲晨(⚾)的(❎)(de )旧男友竟(✌)也(yě )因(🤦)时光效应(🥧)而进入(rù )校园当(👺)训导(dǎo )主任，而曾(🔅)经(🔕)有过(guò )婚(🏾)约的二(🥓)人，是否(fǒ(😳)u )也会再度相(xiàng )爱(🌟)，张(zhāng )岩十分害怕(pà(🤭) )这个命运(🎴)重(chóng )演(📴)，想(xiǎng )方设(📳)法阻止(zhǐ )二人的(💒)相遇，但是(shì )结局真(🏽)的能(néng )如(🕜)他所(suǒ(💙) )愿吗？

Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.

贾(🥖)登(dēng )·史密斯将(😩)(jiāng )联袂《女子监狱》主(🌴)演伊丽莎(🖌)白·罗(🚕)(luó )德里格(🐽)斯，加盟一(yī )部未(🐽)命名滑(huá )板(💳)题材影(✍)片(piàn )。导演(🚸)(yǎn )克丽丝特尔(ě(🚧)r )· 摩泽尔曾纪录(🍞)片(🔼)(piàn )[狼群]获(🌍)圣丹(dā(👦)n )斯电影(yǐ(♍)ng )节评审团大(dà )奖(🍛)，本片将是她的(de )剧情(🚍)片首秀(xiù(🥧) )。影片(pià(🏽)n )讲述女孩(😑)儿(ér )卡米拉在遇(⚡)(yù )到一群(qún )玩滑板(✨)的朋(péng )友(🌇)后所经(🏙)历的人生(⛷)(shēng )故事。雷切(qiē )尔(🔎)·文(wén )贝格、尼娜(👽)(nà )·莫兰(🌺)、阿(ā(😜) )贾尼·罗(📗)素等诸多(duō )滑板(👩)高手均将加盟(méng )。

Armin深(🖱)感已不(bú(🌻) )再年轻(qīng )：他不(🐛)能再(zài )像自己喜(🎂)欢(🏓)(huān )的女孩(🚣)(hái )那样(📺)在外玩(wá(🥋)n )乐到深夜。他并不(🛀)(bú )觉得幸福，但又无(🎽)(wú )法想象(👎)其他(tā(🍽) )的生活方(😚)式。一天(tiān )早晨他(🍃)醒来(lái )后，发(fā )现世(🔙)界依然(rá(🌙)n )未变，却(⛩)不(bú )再有(😏)一(yī )丝生命的痕(🐺)(hén )迹。这部影片展示(⛏)(shì )了绝对(🎆)自由(yó(🏾)u )所带来(lá(👧)i )的灾难。

迈(mài )克尔(🚅)·B·乔(qiáo )丹将主(zhǔ(🚙) )演动作惊(🚟)悚(sǒng )片[Men Who Kill]，这是20世纪(🔔)福斯(sī )为他量身(🍍)打(💾)(dǎ )造的作(🎏)(zuò )品。

1화(🐟)-하고싶어(⛺) 안달난 옆집여자(📅)

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@