莉莉(lì )·柯林(🔥)斯、伊(🔷)恩·麦(mài )柯肖(xiāo )恩、(🏷)托比·(🤛)凯贝尔(🎯)加(jiā )盟动(dòng )画电影[来(📚)了一只(🤦)发火(huǒ(♈) )的龙(lóng )](
Inspired by Brexit and Donald Trump, Last Village on the Right is a delightfully tongue-in-cheek comedy-horror, following a group of American film makers on the way to the Cannes film market to sell a horror film, when they get lost and find themselves in a stunning small mountain town in the South of France, where a strange couple, Adolphi and his wife Kiki, seduce and murder tourists. Last Village on the Right will be a universally enjoyable, terrifyingly hilarious romp through the Pyrenees, which will have audiences rolling in the aisles.
故事发(🏗)生在三(📿)界之外(🛢)(wài )的无(wú )方城(chéng ),彼时(🆒)莫瑜还(🦕)是(shì )科(♉)技(jì )公司(sī )的(🖼)老板,在(🗑)人间(jiā(🏑)n )混的(de )风生(shēng )水起,突然(📈)被合伙(🎾)人(rén )卷(🌩)走(zǒu )了所有的家当,一(😤)夜(yè )之(📸)间(jiān )债台高筑,气急的(🦈)莫(mò )瑜(🛫)晕(yūn )了(🌘)过去。再次醒来的(de )莫瑜(💣)(yú ),被一(💳)只乌鸦带到了(le )无方(fā(🌼)ng )城中的(🗡)如意厨(🐏)房……
A serial killer strikes Sugar Grove, Virginia. A rising journalist comes to town to cover the story : her investigation will soon lead her to the town's darkest secret, at her own risks.
Esben fakes his own death, so he can flee WWI and return to his beloved wife Kirstine and son Karl after 3 years. But everything has changed in his absence. A charming German Officer, Gerhard, has replaced his role as the father, and is trying hard to win Kirstines heart. From his hideout, Esben becomes a witness to a true nightmare and he must fight for love, survival and to save his family
James Gibson is an ex-con who has spent his life in and out of prison. One day, his life turns around when he settles down, meets the love of his life and has a child with her, but an unforeseeable tragedy strikes and his life is never the same.
Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@
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